SOLUTIONS: PRODUCTION

Below are our latest Solutions for Production

PRODUCTION SOLUTIONS: COLORFRONT

Colorfront On-Set Dailies

Integrated end-to-end creative finishing.

Colorfront On-Set Dailies delivers an all-embracing approach to digital dailies workflow. It integrates production-proven tools for dailies work – including playback and sync, QC, color grading, audio and metadata management – with state-of-the-art color and image science, and the delivery of simultaneous faster-than-realtime deliverables in all common file formats.

  • Full ACES workflow running realtime in 4K to a 4K display, with Sony F65, RED Epic, ARRI Alexa and other digital cinematography cameras.

  • Extreme performance encoding of DNxHD, ProRes, BluRay and 720p H264 at 100+ FPS.

  • Full-HD iPad streaming dailies with CinePostproduction | COPRA App.

  • Canon EOS C500 support with 4K playback of Canon RAW.

  • On-Set Live! is now part of On-Set Dailies, and supports ALEXA ARRIRAW TLink over HD-SDI

  • JPEG 2K faster than realtime encoding without custom hardware. Stereo DCP playback with 48FPS JPEG 2K decoding.

  • Checksum verified, faster-than-realtime transfer of ALEXA ARRIRAW from Codex Transfer Station and fast LTO archiving.

  • Mezzanine format support, including Interoperable Mastering Format (IMF) JPEG2K, SRFile SStP, DNxHD 444, and DPP AS-11 AVC Intra MXF and ProRes.

COLORFRONT WINS 2012 EMMY AWARD FOR ON-SET DAILIES

The Board of Governors of the Academy of Television Arts & Sciences awarded a 2012 Primetime Engineering Emmy for Colorfront On-Set Dailies. The prestigious Primetime Engineering Emmy award honors outstanding achievements in engineering development. It is presented annually to an individual, company or organization, for engineering developments that are so significant an improvement on existing methods, or so innovative in nature, that they materially affect the transmission, recording or reception of television. Colorfront On-Set Dailies “allowed high-end episodic television shows that switched to digital file-based workflows to process and deliver multiple hours of footage each day so that dailies requirements could remain unchanged and deliver color-graded, sound-sync images with burn-ins in multiple file formats for editorial, production review, DVD’s, viewing copies etc.”

ALT Systems ONSET
PRODUCTION SOLUTIONS: BLACK MAGIC
Blackmagic

Blackmagic

Introducing Blackmagic URSA, the world’s first high end digital film camera designed to revolutionize workflow on set.

Built to handle the ergonomics of large film crews as well as single person use, URSA has everything built in, including a massive 10 inch fold out on set monitor, large user upgradeable Super 35 global shutter 4K image sensor, 12G-SDI and internal dual RAW and ProRes recorders. Because the sensor and lens mount assembly can be changed, you can choose EF or PL lens mounts, or even a broadcast video sensor with B4 mount. This means you can upgrade to the latest sensor technology in the future and keep your investment in the camera body!

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